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Where We Are: Selections from the Whitney’s Collection, 1900–1960

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Apr 28, 2017–Jun 2, 2019






painting of industrial buildings
Focusing on works made from 1900 to 1960, Where We Are traces how artists have approached the relationships, institutions, and activities that shape our lives. Drawn entirely from the Whitney’s holdings, the exhibition is organized around five themes: family and community, work, home, the spiritual, and the nation. During the six decades covered here, the United States experienced war and peace, economic collapse and recovery, and social discord and progress. American artists responded in complex and diverse ways, and a central aim of the exhibition is to honor each artist’s efforts to create her or his own vision of American life. The artists and their works suggest that our sense of self is composed of our responsibilities, places, and beliefs.



Georgia O’Keeffe: “Music, Pink and Blue No. 2” (1918. Oil on canvas, 35 × 29 15/16in.). Photo by Sheldan C. Collins, image courtesy Whitney Museum of American Art, NY.

Where We Are, as well as each of its sections, is titled after a phrase in W. H. Auden’s poem “September 1, 1939.” Auden, who was raised in England, wrote the poem in New York shortly after his immigration to the United States and at the very outset of World War II. The title of the poem marks the date Germany invaded Poland. While its subject is the beginning of the war, Auden’s true theme is how the shadow of a global emergency reaches into the far corners of everyday life. Although mournful, the poem concludes by pointing to the individual’s capacity to “show an affirming flame.” Where We Are shares Auden’s guarded optimism, gathering a constellation of artists whose light might lead us forward.



Early Sunday Morning 1930
painting, Oil on canvas, 894x1530mm
ARTIST: Edward Hopper
Painting, Number 5 1914
painting, Oil on linen, 997x813mm
ARTIST: Marsden Hartley

Where We Are is organized by David Breslin, DeMartini Family Curator and Director of the Collection, with Jennie Goldstein, assistant curator, and Margaret Kross, curatorial assistant.


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