Aside from Soutine Portraits(Courtauld, 2017) at around 20 works, this is the largest group of Soutines shown together in UK since 1982, and the first since then to show both portraits and landscapes, providing a fascinating follow-up to The Barnes Foundation’s 2021 show Soutine / DeKooning.
The discovery of Soutine’s paintings in the early 1950’s was a significant moment for Kossoff, who was already finding his way towards the kind of direct and expressive use of paint he saw in his predecessor’s work. Soutine grew up in Belarus before migrating to Paris as a young man, while Kossoff was born and raised in London, his parents having arrived there fromUkraine as children. Although their life experiences were very different, the two artists shared an Eastern European Jewish heritage which perhaps brought a particular cultural sensibility to their work.To create transcendent works from the stuff of everyday life became Kossoff’s mission, as it had been Soutine’s. The main focus of Soutine|Kossoff is on the areas of interest shared by both artists: landscape and portraiture.
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The exhibition features seminal landscapes painted by Soutine in southern France in the early 1920s, with highlights including
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Chaim Soutine, Les Platanes a Ceret, c.1920 (oil on canvas). Collection Diethard Leopold. Image courtesy of Sotheby's
and
Cagnes Landscape with Tree,(c.1925-26,Tate).
From Kossoff come major paintings of railway junctions, building sites and other scenes of unexpected beauty found in north and north-west London, among them
Leon Kossoff, Children’s Swimming Pool Autumn Afternoon, 1971. ©Tate
© the artist's estate. Photo credit: Alfred East Art Gallery Permanent Collectio
Willesden Junction, Summer, No.2,(1966, Alfred East Art Gallery)
Visitors will have a rare opportunity to view
Kossoff’s stunning Nude on a Red Bed, November–December 1972
alongside works such as his powerful Seated Woman(1957)
and the striking Double Self-Portrait( 1969, Louisiana Museum of Modern Art).
A major group of Soutine portraits includes
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and
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Chaim Soutine, Le valet de chambre, c. 1927 (oil on canvas), THE LEWIS COLLECTION
A publication will accompany the exhibition.
Soutine|Kossofis curated by Hasting Contemporary’s guest curator James Russell, whose recent show Seafaring opened to a4-star review fromThe Daily Telegraph.