From 3 October 2023 to 31 March 2024 the Museo Picasso Málaga will be presenting the exhibition The Echo of Picasso. Pablo Picasso made use of a remarkable variety of styles while his exceptional influence on 20th-century art has lasted into the 21st century. In addition to Cubism, his principal contribution to modern art is the freedom that characterises every aspect of his painting, sculpture and graphic work. There is wide-ranging consensus regarding Picasso’s profound impact on the art world, allowing it to be said that no previous artist attracted adherents and admirers on a comparable mass scale, in addition to critics. For this reason and fifty years after the artist’s death, the concept of “echos” seems a relevant one, both in terms of the freedom offered by the passing of time and the resonance produced by new voices. In the context of the Museo Picasso Málaga, The Echo of Picasso allows for the possibility of analysing contemporary art through the dialogue that artists from around the world have established with the work and figure of Pablo Picasso.
The exhibition brings together 55 artists in a dialogue with Picasso established either in “real time”, during the artist’s lifetime, or in the present day. Firstly, it presents Picasso’s work alongside that of artists who acknowledged his influence on their output, including Francis Bacon, Maria Lassnig, George Condo and Martin Kippenberger, while secondly it features contemporary artists such as Claire Tabouret, Rashid Johnson, Brian Calvin and Farah Atassi, 17 of whom have created works specially for The Echo of Picasso, which are thus on display for the first time. Among the 85 works present in the exhibition, 18 are by Picasso himself, including notable examples such as the large-format canvas
Massacre in Korea from the Musée Picasso-Paris, which has not been seen in Spain for 15 years.
Curated by Eric Troncy, The Echo of Picasso is specifically based on this influence of Picasso’s artistic practices on modern art and in particular on the current global art scene. A French critic and exhibition curator, Troncy has organised more than 100 monographic exhibitions at the art centre Le Consortium in Dijon, of which he is co-director, and at numerous other renowned art institutions. In his text written for the exhibition’s catalogue he observes that the uniqueness of this exhibition is firstly due to the fact that it “explores the remarkable presence of Picasso in our visual imagination and secondly the profound mark that his constant quest for new forms of artistic expression has left on the concerns of the most recent generations.” For his part and again writing in the exhibition’s catalogue, Michael FitzGerald, senior professor of art history at Trinity College, Hartford, confirms that “Picasso tirelessly championed this absolute freedom as an artist. This is perhaps his most long-lasting echo.”
The exhibition thus functions as an echo in an enclosed space, exploring the visual experience of these resonances through exceptional loans of works by artists from the 1920s to the present. In this sense, rather than attempting to establish an exhaustive catalogue, which would probably encompass the majority of artists from the last 100 years, the exhibition project proposes a dream-like journey through the echoes of Pablo Picasso’s remarkable experiments across different periods, styles and generations. The Echo of Picasso allows visitors to rethink the artist’s oeuvre and to rediscover a Picasso for the present day, revealed by the gaze of creators of other generations. To facilitate this the museum has produced an audio guide in Spanish and English which offers detailed information on the works on show and explains the exhibition’s argument, in some cases with quotations from the artists themselves.
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