The Cleveland Museum of Art
October 8, 2023, through January 14, 2024
The first exhibition to explore Impressionist artist Edgar Degas’s representations of Parisian laundresses, the groundbreaking show includes the largest selection of these works seen together to date, only in Cleveland. The artworks from this series—revolutionary in their emphasis on women’s work, the strenuousness of such labor, and social class—were featured in Degas’s most significant exhibitions, wheretheywerepraisedbycriticsasepitomizingmodernity.Thenearly100worksexhibitedfromover 30EuropeanandAmericancollectionsrevealthatdepictionsoflaundressesby theartistandhis contemporaries featured some of the most striking formal innovations of the time.
“Degas carried out some of the most striking experimentation of his long career throughout his laundressseries,”saidBritanySalsbury,curatorofprintsanddrawings.“Thesubjectfascinatedhim beginning as a young man in the 1850s and continuing until his final decade of work as an artist. The imagesthathecreatedofthesewomenarefascinatingfortheiremphasisonlaboritselfratherthanthe stereotypes that persisted about them throughout popular culture. The women who undertook work ironing and washing often did so because they lacked other options, and they endured tremendously difficult working conditions.”
A visible presence in the city, ironing in shops open to the street or carrying heavy baskets of clothing, laundressesundertooksomeofthemostdifficultandpoorlypaidlaboratthetime,leadingsomeinthe industry to supplement their income through sex work. The depictions of these women featured in Degas and the Laundress: Women, Work, and Impressionism provide a surprising contrast to more familiar Impressionist representations of upper-middle-class leisure.
Degas and the Laundress: Women, Work, and Impressionism contextualizes Degas’s laundress series with paintings, drawings, and prints of the same subject by the artist’s contemporaries—including Gustave Caillebotte, Berthe Morisot, Pierre-Auguste Renoir, Henri de Toulouse-Lautrec and Édouard Vuillard—as well as painters that Degas influenced and was influenced by, from Honoré Daumier to Pablo Picasso. It also presents ephemera, such as posters, photographs, and books, that reveals the widespreadinterestthatParisiansofallsocialclasseshadinthetopicoflaundressesduringthelate 1800s.
“The extraordinary works assembled for this exhibition reveal a new and exciting aspect of an otherwise well-known art historical movement,” said William Griswold, director and president of the Cleveland Museum of Art. “The Cleveland Museum of Art’s exceptional holdings of 19th-century French art situate ustopresentsuchaninventiveexhibition,andwelookforwardtosharingworksofimpressivequality— from Degas’s private sketchbooks to some of his most celebrated canvases alongside those by his colleagues—that have never before been seen together.”
Catalogue
The exhibition is accompanied by a richly illustrated publication featuring thematic essays by scholars of art history, French studies, literature, and history. The 240-page catalogue is the first publication to examine and document Degas’s portrayals of Parisian laundresses.
Woman Ironing, begun c. 1876, completed c. 1887. Edgar Degas (French, 1834–1917). Oil on canvas; 99 x 82.5 cm. National Gallery of Art, Washington, DC, Collection of Mr. and Mrs. Paul Mellon, 1972.74.1
The Laundress, 1877–79. Pierre-Auguste Renoir (French, 1841–1919). Oil on canvas; 80.8 x 56.6 cm. Art Institute of Chicago, Charles H. and Mary F. S. Worcester Collection, 1947.102
Woman Ironing, 1892. Edouard Vuillard (French, 1868–1940). Oil on board; 21.4 x 25.4 cm. The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2020.119
Woman Ironing, c. 1869.Edgar Degas (French, 1834–1917). Oil on canvas; 92.5 x 73.5 cm. Neue Pinakothek, Bayerische Staatsgemäldesammlungen, Munich, 14310. bpk Bildagentur / Neue Pinakothek, Bayerische Staatsgemäldesammlungen, Munich / Art Resource, NY
Women Ironing, 1884–86. Edgar Degas (French, 1834–1917). Oil on canvas; 76 x 81.5 cm. Paris, Musée d’Orsay, Bequest of Count Isaac de Camondo, 1911, RF 1985. Photo © RMN-Grand Palais / Adrien Didierjean / Art Resource, NY
The Laundress, c. 1863. Honoré Daumier (French, 1808–1879). Oil on oak; 48.9 x 33 cm. The Metropolitan Museum of Art, Bequest of Lillie P. Bliss, 1931, 47.122
Woman Ironing, 1901. Pablo Picasso (Spanish, 1881–1973). Oil on canvas, mounted on cardboard; 49.5 x 25.7 cm. The Metropolitan Museum of Art, Alfred Stieglitz Collection, 1949, 49.70.2. Image © The Metropolitan Museum of Art. Image source: Art Resource, NY. © 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
The Little Laundress, from Album des peintres-graveurs, 1896. Pierre Bonnard (French, 1867–1947). Color lithograph on China paper; image: 29 x 19.7 cm; sheet: 45.4 x 33.7 cm. The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2020.151