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American Artists, American Stories from the Pennsylvania Academy of the Fine Arts, 1776–1976

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 Philbrook Museum of Art, Tulsa, OK  

September 25–December 29, 2024 

This fall at Philbrook, guests will experience iconic American masterpieces including powerful portraits, sweeping landscapes, and exquisite still lifes by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Anna Klumpke, Alice Neel, Isamu Noguchi, Georgia O’Keeffe, Horace Pippin, Thomas Moran, Henry Ossawa Tanner, Laura Wheeler Waring, Andrew Wyeth, and many more. 

Through artwork from the incomparable Pennsylvania Academy of the Fine Arts (PAFA) collection, this exhibition presents 200 years of groundbreaking work by nearly one hundred American artists. Some of the paintings and sculptures on view—the most acclaimed and recognizable examples of American art—have shaped conversations about the nation’s history and identity. Other works are by artists who may be less familiar but are no less central to the story of America. Through innovative works by artists traditionally excluded from the historical narrative, a deeper understanding of the story of American art emerges. The artists featured in this special exhibition were all shaped and impacted in some way by PAFA, some through education, others through the exhibition of their work.  


Charles Willson Peale The Artist in His Museum

Charles Willson Peale, The Artist in His Museum, 1822, oil on canvas, 103 3/4 x 79 7/8 in., Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia. Gift of Mrs. Sarah Harrison (The Joseph Harrison, Jr. Collection). 1878.1.2. Photograph by Adrian Cubillas.

“From the moment visitors step into the exhibition, they will be surrounded by artwork from across the span of American history,” said Philbrook Curator Susan Green. “Whether they enjoy learning about the past and stories all-too-often excluded from textbooks or simply being immersed in a landscape or still life, each guest will discover a work of art that impacts them. And with 102 works in the exhibition, hopefully they’ll fall in love with more than one.” 

From Gilbert Stuart’s instantly recognizable Revolutionary War-era portrait of George Washington to Barkley L. Hendricks’ portrait celebrating Black Power and Vietnam War-era protests, this exhibition explores the first two centuries of change, progress, and representation that defined American art. 

“Philbrook is proud to be able to share these iconic works of American art with Tulsa,” said Interim Executive Director Megan Nesbit. “Museums play a crucial role in reflecting and shaping our collective narrative, and exhibitions like American Artists, American Stories help us to understand our shared, complex history and to see a future full of potential.” 

American Artists, American Stories poses many questions. What is American art? What makes an artist American? Who gets to decide? It’s complicated.  

Winslow Homer, Fox Hunt, 1893.  Oil on canvas, 38 x 68 1/2 inches. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia, Joseph E. Temple Fund, 1894.4

American Artists, American Stories from the Pennsylvania Academy of the Fine Arts, 1776–1976 is co-organized by the American Federation of Arts and the Pennsylvania Academy of the Fine Arts.


(Left) Barkley L. Hendricks (American, 1945-2017). J. S. B. III, 1968. Oil on canvas, 48 x 34 3/8″. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia. Gift of Mr. and Mrs. Richardson Dilworth, 1969.17. © Barkley L. Hendricks. Courtesy of the Estate of Barkley L. Hendricks and Jack Shainman Gallery, New York. Photograph by Adrian Cubillas. // (Right) Gilbert Stuart (American, 1755-1828). George Washington (The Landsdowne Portrait), 1796. Oil on canvas, 96 x 60″. Courtesy of the Pennsylvania Academy of the Fine Arts,

Catalogue

Reinterprets American art through one institution’s iconic collection, spotlighting contributions by Black, women, and LGBTQ+ artists.

Making American Artists delves into the extensive historical and modern collections of the first art school and museum in the United States, the Pennsylvania Academy of the Fine Arts, to reconsider what it means to be an American artist. Essays by leading scholars focus on the significant contributions made by Black, women, and LGBTQ+ artists whose careers were nurtured at PAFA. Brimming with illustrations of more than one hundred significant works, this catalog commemorates a traveling exhibition with several venues, including the Wichita Art Museum in Kansas; the Albuquerque Museum of Art in New Mexico; the Philbrook Museum of Art in Tulsa, Oklahoma; and the Ackland Art Museum at the University of North Carolina, Chapel Hill.
 Philadelphia. Bequest of William Bingham, 1811.2. Photograph by Barbara Katus.

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