73 works donated to the Virginia Museum of Fine Arts for permanent installation in the McGlothlin American Art Galleries

Longtime patrons James W. and Frances Gibson McGlothlin have given their collection of 73 works to the Virginia Museum of Fine Arts for permanent installation in the McGlothlin American Art Galleries. The value of the McGlothlin Collection exceeds $200 million and will open to the public on November 24.



Tennis at Newport
George Wesley Bellows, (1882-1925)
1920, oil on canvas
The James W. and Frances Gibson McGlothlin Collection (L.2015.13.5)



Venetian Wineshop
John Singer Sargent, (1856-1925)
ca 1902, oil on canvas
The James W. and Frances Gibson McGlothlin Collection (L.2015.13.51)




Scotch Whaler Working Through Ice
William Bradford, (1827-1892)
ca 1878, oil on canvas
The James W. and Frances Gibson McGlothlin Collection (L.2015.13.10)



The Hitch Team (Horses in the Snow)
George Luks, (1867-1933)
1916, oil on canvas
The James W. and Frances Gibson McGlothlin Collection (L.2015.13.36)



Yachting the Mediterranean
Julius LeBlanc Stewart, (1855-1919)
1896, oil on canvas
The James W. and Frances Gibson McGlothlin Collection



Evening


“We originally intended to give these paintings to VMFA after our lifetime,” Jim McGlothlin said, “but we’ve recently decided it’s more important for them to reach the hundreds of thousands of patrons who visit the museum. We would rather share in the public’s enjoyment of these works, and hope visitors receive as much pleasure from them as we have.”

VMFA Director Alex Nyerges said: “The McGlothlins’ unexpected gift is a magnanimous gesture of national importance. These works greatly strengthen our American collection with 12 artworks by John Singer Sargent, five new Bellows and 56 additional major works for visitors to enjoy.

“We are indebted to the McGlothlin family for endowing Virginians with their great collection.”
Twenty of these works have not been exhibited at VMFA before and the breadth of the new collection will add appreciably to VMFA’s American holdings. Spanning the formative century from 1830 to 1930, from the Hudson River School to Modernism, it is one of the most important collections of historic American art in private hands and will contribute significant depth to VMFA’s collection from this period, said Susan J. Rawles, PhD, VMFA’s associate curator of American painting and decorative art. Renowned artists include Childe Hassam, John Singer Sargent, George Bellows, James A.M. Whistler, and Mary Cassatt, among others.

Such a historically representative and significant collection of American art has not been gifted to a North American museum in more than 30 years. In 1985, David and Eula Wintermann gave more than 50 American paintings dating from 1880 to 1925 to the Museum of Fine Arts, Houston, providing a foundation for the development of that collection.

“The addition of the McGlothlin Collection anticipates the strong future trajectory of American Art at VMFA,” Rawles said, “complementing our current holdings of approximately 2,000 works.”
The expansive historic scope of the McGlothlin collection will be reflected in the installation, where visitors will encounter broad themes, including Westward the Course of Empire: American Landscape, The Gilded Age of Realism and Impressionism, and All That Glitters Is Not Gold: Modernism.

History of the McGlothlin Collection

Virginia-born James W. and Frances Gibson McGlothlin began acquiring works in 1996 and quickly established themselves among a small circle collecting American art at the highest level. Guided by their own sense of a work’s intrinsic beauty, they made strategic acquisitions, resulting in a collection that has grown to represent the major currents of mid-19th- to mid-20th-century American art. The first exhibition of their work at VMFA was Capturing Beauty: American Impressionist and Realist Paintings from the McGlothlin Collection in 2005(catalogue:



During the same year, the McGlothlins promised to bequeath their collection to VMFA. In addition, they made a $30 million gift toward the museum’s 2010 expansion. The result is the 165,000-square-foot James W. and Frances G. McGlothlin Wing.

In anticipation of the McGlothlin wing opening and the publication of the accompanying American collection catalogue, the McGlothlins made their first outright gift of art –





The Wounded Poacher
William Merritt Chase, (1849-1916)
1878, oil on canvas
The James W. and Frances Gibson McGlothlin Collection (2009.310)


William Merritt Chase’s Wounded Poacher (1878).

A second exhibition of more than 70 works from their collection, Private Passion, Public Promise: The James W. and Frances G. McGlothlin Collection of American Art, coincided with the museum’s reopening.



The Rialto
John Singer Sargent, (1856-1925)
1909, oil on canvas
The James W. and Frances Gibson McGlothlin Collection (2014.415)

In December 2014, they made a second gift of art to VMFA, John Singer Sargent’s The Rialto (1909).



Madame Errazuriz
John Singer Sargent, (1856-1925)
ca. 1883-4, oil on canvas
The James W. and Frances Gibson McGlothlin Collection (L.2015.13.48)



Flowers in Her Hair
Julius LeBlanc Stewart, (1855-1919)
1900, oil on canvas
The James W. and Frances Gibson McGlothlin Collection (L.2015.13.59)



In the Sun
Theodore Robinson, (1852-1896)
1891, oil on canvas
The James W. and Frances Gibson McGlothlin Collection (L.2015.13.46)





L'Aperitif
William Glackens, (1870-1938)
1926, oil on canvas
The James W. and Frances Gibson McGlothlin Collection (L.2015.13.21)



At the Opera



John Singer Sargent, A Gust of Wind (Judith Gautier)



Robert Frederick Blum, In the Laundry

About the McGlothlin family

Jim McGlothlin is chairman, CEO, and the sole owner of The United Co., a 44-year-old Bristol, Va., company that sold its coal mine holdings for an estimated $1 billion in 2009 to the Ukrainian firm Metinvest. The company’s businesses interests — which over the years have included coal, steel, oil and natural gas, a cogeneration plant, roofing materials, and pharmaceuticals — now are focused on financial services and golf courses. Jim serves on the boards of the Virginia Museum of Fine Arts, the Mountain Mission School, and the PGA Tour. Jim is a current member of the VMFA Board of Trustees and serves on the Executive Committee. Fran McGlothlin served on the VMFA Board of Trustees from 1998-2008. While on the VMFA Board of Trustees Fran was a member of the Art Acquisitions Sub-Committee and the Director’s Search Committee in 2006. The couple has three children and six grandchildren.

About the Virginia Museum of Fine Arts

VMFA’s permanent collection encompasses more than 33,000 works of art spanning 5,000 years of world history. Its collections of Art Nouveau and Art Deco, English silver, Fabergé, and the art of South Asia are among the finest in the nation. With acclaimed holdings in American, British Sporting, Impressionist and Post-Impressionist, and Modern and Contemporary art – and additional strengths in African, Ancient, East Asian, and European – VMFA ranks as one of the top comprehensive art museums in the United States. Programs include educational activities and studio classes for all ages, plus lively after-hours events. VMFA’s Statewide Partnership program includes traveling exhibitions, artist and teacher workshops, and lectures across the Commonwealth. VMFA, a certified Virginia Green attraction, is open 365 days a year and general admission is always free.

George Wesley Bellows (1882-1925)

May Day in Central Park, ca. 1905

Oil on canvas

Signed: "Bellows"

18 x 22 inches (45.7 x 55.9 cm)

 

Robert Frederick Blum (1857-1903)

Flora de Stephano, the artist's model, 1889

Pastel on linen

Signed and dated: "Blum - 89"

20 1/2 x 18 1/4 inches (52.1 x 46.4 cm)

 

Dennis Miller Bunker (1861-1890)

Larmor, 1884

Oil on canvas

Signed, dated, and inscribed: "Dennis M. Bunker -/ Lamour - 1884"

18 x 25 1/2 inches (45.7 x 64.8 cm)

 

Mary Cassatt (1844-1926)

Lydia Seated on a Terrace, Crocheting, 1881-82 [title tentative]

Oil on canvas with tempera

Signed: "Mary Cassatt"

15 x 24 3/10 inches (38.1 x 61.6 cm)

 

Afternoon By the Sea," circa 1888, by William Merritt Chase (American, 1849-1916), pastel on linen, 20 x 30 inches. It is from the collection of James W. and Frances G. McGlothlin. Photo by Katherine Wetzel, © 2005 Virginia Museum of Fine Arts)

 

William Merritt Chase (1849-1916)

A Mandolin Player, ca. 1880

Oil on panel

10 x 7 inches (25.4 x 17.7 cm)

 

Frederick C. Frieseke (1874-1939)

Luxembourg Garden , 1901

Oil on canvas

Signed and dated "F. Frieseke 1901"

26 x 32 inches (66 x 81.3 cm)

 

Childe Hassam (1859-1935)

Moonlight, 1907

Oil on canvas

Signed and dated: "Hassam 1907"

Inscribed on verso: "C. H."

25 3/4 x 36 1/4 inches (65.4 x 83.8 cm)

 

 

Childe Hassam (1859-1935)

Winter Nightfall in the City, 1889

Oil on canvas

Signed, inscribed, and dated: "Childe Hassam Paris 1889"

25 1/2 x 33 inches (64.8 x 83.8 cm)

 

Martin Johnson Heade (1819-1904)

White Cherokee Roses in a Salamander Vase, ca. 1883-95

Oil on canvas

Signed: "M. J. Heade"

26 x 13 inches (66 x 33 cm)

 

Martin Johnson Heade (1819-1904)

Two Magnolias and a Bud on Teal Velvet, ca. 1885-95

Oil on canvas

Signed: "M. J. Heade"

15 x 24 inches (38.1 x 61 cm)

 

Robert Henri (1865-1929)

Listening Boy, 1924

Oil on canvas

Signed: "Robert Henri"

Signed and inscribed on verso: "Robert Henri 181/M Listening Boy"

24 x 20 inches (61 x 50.8 cm)

 

Robert Henri (1865-1929)

Miss Kaji Waki, 1909

Oil on canvas

Signed "Robert Henri"

77 x 37 inches (195.6 x 94 cm)

 

Robert Henri (1865-1929)

Sketchers in the Woods, 1918

Pastel on paper

Signed "R Henri"

12 1/5 x 19 4/5 inches (31.1 x 50.2 cm)

 

Winslow Homer (1836-1910)

By the Shore, 1870s

Oil on canvas

Signed: "HOMER"

9 1/2 x 10 inches (24.1 x 25.4 cm)

 

Winslow Homer (1836-1910)

Canoeing in the Adirondacks, 1892

Watercolor on paper

Signed and dated: "Homer 1892"

15 ? x 20 inches (39.4 x 50.8 cm)

 

Winslow Homer (1836-1910)

Girl Reading Under an Oak Tree, 1879

Oil on canvas

Signed and dated: "Homer 1879"

15 1/2 x 22 1/2 inches (39.4 x 57.2 cm)

 

 

"The Watch, Eastern Shore, Prout's Neck," 1894, by Winslow Homer (American, 1836-1910), watercolor on paper, 15 1/2 x 20 inches. It is from the collection of James W. and Frances G. McGlothlin. Photo by Katherine Wetzel, © 2005 Virginia Museum of Fine Arts)

 

William McGregor Paxton (1869-1941)

The Letter, 1908

Oil on canvas

Signed and dated: "Paxton - 1908"

30 x 25 inches (76.2 x 63.5 cm)

 

Maurice Prendergast (1859-1924)

Handkerchief Point, ca. 1896-97

Watercolor over graphite on paper

Signed: "Prendergast"

13 1/2 x 9 5/8 inches (34.3 x 24.4 cm)

 

Theodore Robinson (1852-1896)

Portrait of Madame Baudy, 1888

Oil on panel

Inscribed, signed, and dated: "To Madame Baudy/ Th. Robinson 1888"

13 x 9 1/2 inches (33 x 24.1 cm)

 

John Singer Sargent (1856-1925)

Gathering Blossoms, Valdemosa, 1908

Oil on canvas

28 x 22 inches (71.1 x 55.9 cm)

John Singer Sargent (1856-1925)

Portrait of Ambrogio Raffele, ca. 1904-11

Watercolor over graphite on paper

Inscribed and signed: "all' amico A Raffele John S. Sargent"

20 x 14 inches (50.8 x 35.6 cm)

 

John Singer Sargent (1856-1925)

Venetian Wineshop, ca. 1902

Oil on canvas

Signed: "John S. Sargent"

21 x 27 1/2 inches (53.4 x 69.9 cm)

 

Everett Shinn (1876-1953)

Back Row, Folies Bergere, 1900

Pastel on paper

20 1/2 x 27 inches (52.1 x 68.6 cm)

 

Everett Shinn (1876-1953)

Horsedrawn Bus, 1899

Pastel on paper

Signed and dated: "Everett Shinn / 99"

22 x 30 inches (56 x 76.2 cm)

 

John Sloan (1871-1951)

Gray Day, Jersey Coast, 1911

Oil on canvas

Signed: "John Sloan"

22 x 26 1/5 inches (56 x 66.6 cm)

 

John Henry Twachtman (1853-1902)

Gloucester, Fishermen's Houses, 1900

Oil on canvas

25 x 25 1/2 inches (63.5 x 64.8 cm)

James McNeill Whistler (1834-1903)

Green and Silver - The Bright Sea, Dieppe, 1883-1885

Signed twice with artist's butterfly

Watercolor and gouache on paper

10 x 7 1/8 inches (25.4 x 18 cm)